Andrew’s work stems from an intense curiosity about the intersections of time, viewership, and overtly mediated image making. His current work aims to compress lengths of time into singular images, questioning our ability to understand events as (photo)graphic moments, and how we reconcile what we see with our memories of events on a personal, social, and cultural level.

Andrew holds a BFA in Studio Art from Pittsburg State University, an MFA in Imaging Arts and Science from the Rochester Institute of Technology, and is currently working towards a PhD in photography from the University of South Wales. His work has been exhibited both nationally and internationally, and is held in collections at the New Hampshire Institute of Art and the Siena Art Institute.