Navid’s work reviews his experience in-between two cultures, dealing with cross-cultural codes. He has developed an esoteric language of signs and symbols from multiple mythologies and histories. Navid aims to manipulate and play with the pre-prescribed meanings of images, forms and memories, creating a metaphorical landscape where viewers can attach a wide array of significance to indicators of time and space. 
Put simply, his work gives a visual glimpse of a crossroad where present day events meet the past and ancient cults. His installations are based on a reading of “ambivalence” that has been transformed to become a shape that can be demystified only by taking into account one’s presuppositions —in other words, the viewer is to “read into” the work, rather than extract meaning from it in an objective manner.